Monday, July 28, 2014

Turtles Are Not Scary

Heh heh.  Talk about the book, tighten the upper lip and don't talk about the book . . .

Well, I'm only human.  And people out there have said they have obtained the book and that they were set to read it over the weekend.  So I know eyes have fallen on pages.

The rules say shut up.  But I never had any part in making those rules, while shutting up has never been my strong suit.

I ran D&D on Saturday.  Expectations were high, emotions were high, stress was high - and there was some drama.  Ah well.  Was to be expected.  People are pressure cookers and four months is a lot of pressure.   But the running was good and I left three players trapped on a narrow, enclosed beach, at night, with a giant turtle climbing out of the sea.  In the dark, they weren't sure what it was at first . . . their imaginations rose to the occasion.  Then they found it was a 'turtle' of unknown type and they felt relieved.  Turtles are not scary.

I've been relaxing the last few days.  I'm due to get my own books from the printer on Friday.  Yes, I know now that the spine is 'upside down.'  Too late for those books from the printer.  Perhaps, one day, the reverse spine will be the proof that it's a first edition book.  Fantasies.  We all have our fantasies.

I'm a bit scatter-minded, so I'm going to just write this and go.  Pages are turning and I swear I can hear them.

Friday, July 25, 2014


Lots of little one offs today.  Eh, no problem.  It's only a blog.

I'm receiving many sounds of praise, as people tell me 'congratulations!'  They mean well and the sentiment is much appreciated . . . and yet, because I understand words, I cannot help but cringe.

Congratulations has become the standard thing that we say when something good happens to someone. The increasing popularity of the word has been notable in my lifetime - people are more apt to say it today upon hearing good news than they were in the past.  As I'm not pedantic, and as I know words grow and achieve meanings they did not formerly possess, I am fine with that.  My resistance against the word has much more to do with me than the word's users - and so it is my problem and not theirs.

The word 'congratulation' appears in English in the mid 15th century; it is an import from Latin, from the verb congratulatio, which is to "give thanks" or "show joy."  So far so good.  However, the root for the Latin word is gratus, which is a "blessing," and it is here that the problem begins.  We get 'grace' from gratus, this being a gift from the gods, something that is dropped on us by chance or by the vicissitudes of fortune.

In other words, a good thing that originates in a place other than within ourselves.

We say "congratulations" when someone has a baby because it is something that is tried for - but understood to be something of a chance thing.  We "hope" for a baby but we realize that what with physical limitations, fertility, the possibility of poor health and so on, we may not get what we want.  So if things come around and you find you are pregnant, we say "congratulations" because you passed the first hurdle.  Then we say congratulations again when the baby is born, because you've passed other hurdles.

In writing a book, however, there are no mysteries, no doubts, no bestowing of luck by the grace of the gods.  At best, there might be something to be said for "You may die before the book is finished," but somehow when someone tells me 'congratulations' upon finishing my book, I don't think they're saying, "You lived!  I never thought you would!"

No, they're saying, "Well done!"  And they mean it.  They know I've worked and struggled and put in the hours and finished the thing on my own, and that the gods had nothing to do with it. They don't have to be told.

It's only that, when faced with someone who has recently done what I've done - and a host of other, similar things, they don't know what to say.  They do have this word, however, which we know well enough to say in times of great joy.  We say it at weddings and when you get the job you wanted and when you win best prize in a beauty contest.  It is the first word that pops into our heads.

Yet I can't quite get used to it.  I wasn't blessed.  The book didn't appear from out of the blue.  No others made a decision that enabled the book's existence.  Luck was not involved.  The appearance of the book was not, in any way, a surprise.  So saying 'congratulations' seems, somehow, awkward.

I'd rather people just said, "Well done."  Yes, there are two words, but there are less letters.  There are less syllables.  The words are clear and direct and most of all, accurate.  I applied myself and did it well.

I know that's what people are saying.  Thank you.

David Wong & I

I like learning that I am not the only one:

"In fact, I'd say it's this "just a game" mentality that makes them think it's OK to throw in these arbitrary rules that take you out of the fantasy. Am I facing a door that only opens if I first kill all of the enemies in the room? Why does it work that way? Or maybe there's a guard at the city gate who will only open the path after I complete some other, totally unrelated task -- so what's his reasoning for doing that in the universe of that story? Is there some actual reason why the pieces of the doomsday weapon I'm to assemble are scattered all across the map so that I have to slowly trudge from one to the next, killing crowds of enemy cannon fodder every step of the way?

"If your only answer is 'Because we programmed it that way,' you've lost me. You've woken me up from the fantasy by slapping me in the face with a stark reminder that this isn't really an adventure meant to capture my imagination. It's just a computer program designed to keep me pushing buttons for 12 hours."

Read more here.

A House Rule About Wounding

When anyone in my world does 11 damage or more on a single blow, they wound. This means that the enemy begins to lose hit points every round from bleeding.

For each 11 damage done, the wound is 1hp per round. If, for example, I hit your character for 47 damage, and your character survives, it would suffer 4hp damage per round thereafter - until the character was healed or it bound wounds.

Binding wounds takes three rounds per degree of the wound; so to bind a 4hp wound would take 12 rounds; however, for each 3 rounds spent, the total loss drops one point. So by round four, you'd be bleeding out 3hp per round, by round seven you'd be bleeding out 2hp and so on.

Goodberry, a healing salve, the recently added druid's vintage or any healing spell will close a wound immediately.

Course, this usually means falling out of combat so that healing can be eaten or applied.

The 12 point alternative is simply that it takes that 1 more hit point to wound the character; and that 47 damage wouldn't quite be enough to cause a 4hp wound, because the multiples are counted out in 12s and not 11s.

Thursday, July 24, 2014

Swords Shall Be Bent . . . and Logic Too

Polybius was a Greek historian of the 2nd century BCE who lived much of his adulthood in Rome - about which he wrote a series of 'books' that are compiled together and called The Histories.  It's great stuff about war and individual prowess along with geography and ethical arguments about governing.  The Histories are the critical works about the first and second Punic Wars, in addition to the rise of Rome from a local bully to a Mediterranean-dominating superpower.  It takes patience and focus to read it, but I strongly recommend it for those who want a good sense for pre-Dark Ages battle.

All this is so I can quote a few passages from a battle between the Romans and the Insubres, in 223 BCE:

"They [the Romans] had learned from previous battles that the Gauls are at their most dangerous in their first onslaught while their ardour is still fresh, and also that because of the way their swords are forged, as has already been mentioned, it is only the first slash which takes effect.  After this the edges are immediately blunted and the blades become so bent both lengthways and sideways that unless the men are given time to straighten them with the foot against the ground, the second blow has virtually no effect."
The Histories, Book II.33

In my Penguin copy, there's this footnote:

"The same details concerning the soft edge of the Gallic sword are found in Plutarch's account of Camillus' victory over the Gauls in 377 B.C.; it may have become a traditional legend."

Then, later in the same chapter, Polybius writes,

"As soon as the enemy [the Gauls] had delivered their first sword cuts against the shafts of the spears and so put their weapons out of action, the Romans closed with them and rendered them helpless by leaving them no room to raise their arms to slash; this is the stroke which is peculiar to the Gauls, and the only one they can make, as their swords have no points.  The Romans, on the other hand, made no attempt to slash and used only the thrust, kept their swords straight and relied on their sharp points, which were very effective."

Such fascinating detail!  The design of the broad sword vs. the slashing swords of the Gauls, the manner in which the Romans could press in on the Gauls and keep them from even swinging and the softness of the metal that the Gauls could smelt.  This last is the most interesting to me, because once again we come back to the subject of orcs.

Humans, as we know, are part of an extensive culture - a necessity, since the players are bound to play some sort of humanoid that moves from place to place, expecting to be able to buy goods, stay at inns, use roads for travel and so on.  This unification means that technology is shared, so that developments spread throughout the geo-political culture.

Orcs and other humanoids, however, are necessarily isolated.  They have no trade, which means that unless a particular group of orcs happens to be sitting on a good supply of soft coal (hard coal could not be easily mined until the 18th century, after the development of harder steels and steam power) as well as iron, limestone and a hardening metal such as nickel, manganese, chromium or tungsten, we wouldn't find a society that could mass produce good metal for weapons.  Even if those materials did exist, there's no guarantee that the masters in house were clever enough to have developed metallurgical skills to match the highest degree of human-based technology.

In short, the orcs simply wouldn't have weapons to match human weapons, just as the Gauls did not have weapons to match the Romans.  It's no good, either, arguing that the orcs could have found enough weapons to sustain them, for as we know from both Polybius and Livy, the Gauls won plenty of battles against the Romans and this didn't help them.

See, the problem with found weapons is that the use of the weapon is dependent upon the individual being trained in the use of that weapon.  The Gauls may have found plenty of Roman broadswords, but this didn't make anyone among the Gaulish tribes suddenly professional at being able to manipulate and effectively use the weapon once they had it.  See, there are muscle groups that need developing, a stance to be adopted, techniques, a way of thinking about the weapon and so on - and these things are NOT self-evident.  Gauls might have tried, but they would have soon found the Roman weapons were too heavy in all the wrong ways - even if the actual weapon was lighter, without those muscle groups it would have felt wrong.

Suppose that we have an especially developed group of orcs who luck out in the mineral department so that they have everything they need.  Let's also say that there's a really brilliant orc that stumbles upon the secret of an improved forged iron, making perhaps the best iron in all the world.  It's a possibility, right?  Why not simply say that?

First of all, because obviously not every orc clan in the world can be so lucky - though we can expect a DM to cheat and suppose they might be.  With a genius orc iron founder in every clan, yet.  It still doesn't fly, for one simple reason.  Technology does not stand still.  Whereas today the orc founder comes up with something really original, the human culture doesn't depend on just one genius.  It jumps forward any time someone, somewhere, comes up with an original thought.  The orc clans in the traditional vision, however, are not communicating with each other.  They're in dungeons, deep underground, isolated and hardly trading thousands of tons of materials with other clans, or sharing knowledge from one clan to another as quickly and easily as humans are.

No matter how you look at it, the orc technology is going to lapse, and when their swords fall against the swords of humans, and their friends elves, dwarves and so on, those orc weapons are going to fail.  They're going to break or bend, and then the orcs will go where the Gauls went.

My solution was to make the orcs a huge culture, with huge territories, where they numbered in the millions and traded among themselves.  I also felt that in times of peace, the orcs ought to be able to trade with humans and vice versa.  Why not?  We trade with genocidal nations, even where the leader is a cannibal, all the time.  Why not orcs?  Wall Street wouldn't care.

Most, however, will simply ignore all this, giving orcs and other subterranean humanoids magical powers over the manufacture of iron weapons, which appear mysteriously no matter how many levels down we go - while no evidence of a forge - or a chimney leading outside from that forge - ever makes an appearance.

A Higher Class

I was asked why yesterday that I had been dead set against 'sage abilities' for fighters, but that my plans now included them.  I felt I should expand on that idea, and explain that my plans now include sage abilities for every class.  The word 'sage,' then, has ceased to mean an old man with plenty of time for reading books; it has become a convenient word for 'knowledge skills inherent in classes.'

Since beginning to work on the proposed system, with interruptions, I've come to realize just how many disconnects there are in the existence of things in the world vs. the magic that the game includes.  How did gelatinous cubes come into existence?  How are wands made?  Does a D&D world even have geology in the sense of fossils, tectonic plates and traditional volcanism?  If you have made a world with volcanoes, how do they work?  Has your world existed for billions of years, or did the gods make your world with volcanoes just so they could spout off once in awhile?  Do they spout when the gods say so?

For many, the answers are a matter of simple hand-waving.  But for some, who have an intense and abiding interest in such things, hand-waving is not enough.  I have been fascinated with tectonics since I was a young boy, having been well aware of the controversy in 1972 when subduction and continental drift were all the rage.  I was only 8, but I gobbled up books on geography like candy because I thought of the subject as the most wonderful thing!  Thus was the basis laid for my infatuation with mapmaking.

Fuck gaming.  Continental drift, volcanism, earthquakes and the like are incredible wonders - and where the reader talks of 'magic,' I point to such real manifestations of nature, complete with the rational formation underlying them, as every bit the value of any magic any gamer can pop from their skulls.  I shall never understand why laziness in waving something aside is allowed to take the place of the profound delight gained from knowing things and fitting those known things into the game universe.

I don't want my world to have volcanoes that don't act like volcanoes.  If there will be volcanoes, they will damn well function like volcanoes do, and the gods themselves shall tremble when half the mountain falls away and drifts ash upon a quarter of the world.

Which means that if druids know about the world, not all of that information will come from the gods.

Thus is the game a science, not the silly stories given to children to shut them up.  Thus all the various elements of the game must be hammered into that science - even though that is hard.  I don't care how hard it is. Great things are hard.  Passion is hard.  People who claim that things ought to be easy, for the sake of 'fun' or some other infantile pleasure, fail to see the intensity gained in accomplishment.  They have never screamed in delight and felt empowered like the gods, because they have done something amazing.

These poor, sad little furtive people and their fun.  We must pity them.

So yes, there are reasons to give sage abilities to other classes, to cover things that cannot be covered by spellcasters.  I'll confess, for fighters I am thinking of things like 'leadership,' the governing of men, the power to draw men towards oneself through prowess and ability, rather than charisma.  Find, if you can, a reference to Ulysses S. Grant's charisma - and then compare that to the number of references to his ability, his perseverance, his will or his energy.  There is more to leadership than being 'liked.'

I am thinking about logistics, though right now I have no idea how to apply that.  That will take more thought. What of naval combat?   What of the management of civilians?  What of keeping peace?  Or training men, particularly youth and civilians who have never participated in war before?  Are these things not also part of the fighter, and are they not ignored by the game as it stands?

We think so small.  We think extra shots with a bow or extra damage or more proficiencies or better binding of wounds.  Some of those things are important, and I will probably address them, but there are immense things as well, particularly in the management of fighting, that have for so long been ignored.

People are liking the druid studies, and that's great.  But having reconciled myself to changing the face of the fighter and other classes, I admit that I can't wait to finish the druid and start the next class!

Wednesday, July 23, 2014

Come Saturday

Ah.  I will be running D&D this weekend.

I have been lax about sending a message to the players online.  I suggested perhaps dabbling a bit last week, but day by day I have been procrastinating.  I think about sending them an email, thinking I'll ask if they're still interested, and then I don't do it.

I know it is just that I am really tired.

I never worked as hard at anything as I worked on the Advanced Guide.  By the end, just before I published, I was virtually a basket case.  I had given up doing anything else.  I had gotten past the point where I could even read, because I could not get my mind off the Guide long enough to actually feed my elephant.

I read some Polybius in the tub last night and felt great.  Overall, I feel great.  Including the small How to Play book, our sales are just shy of $1K, we've sold well over one hundred of both books and things continue to look promising as I approach booksellers.

But . . . running D&D again.  That is something.

I haven't actually run offline since, let me see, March?  End of February?  I've forgotten.  Online, the last date of the campaign was April 17th.  More than three months ago.  For me, those three months have passed like a blur.  I'm still having trouble remembering that this is 2014.  I feel like I've just stepped out of a time machine.

And the biggest thing about running again is that I now know more about running than I ever had.  In venturing out to explain what it is I do, I've uncovered dozens of things I now know I can't do any more. Through researching and writing, I learned myself why I was ruining my own game.  At several points in the book I admit this frankly:  "I am a bad DM because I do this and this."  I didn't see any point in pretending.

See, as much as it is nice to make a little money, it will never be enough to live on - so the writing could never be about the money.  The writing had to be about the players, who would be reading it.  It had to be about giving them a place to go, a goal to pursue, a way to work on a setting that would make sense, not just for role-playing but for how people think and act in the real world.  To positively meet this theme of the book, I often found myself feeling as though I were pounding words into the computer much like hammering iron upon an anvil, working the sentence and working the sentence in the hopes of making it something someone who could not see into my brain would yet be able to follow.  I desperately wanted to produce a guidebook that would truly function as a 'guide,' exactly like one would expect if touring through the high mountains and having things pointed out.

No one challenges a guide's opinion when the guide points to a valley floor a thousand feet below and says, "We could go there, but getting there is going to take time and considerable effort."  Only a fool then announces, "Well, that's bunk, that's your opinion, I'm sure you can get there easily."  A guide, faced with such a fool, can only shrug and let the fool go their merry way, while continuing to lead those who want the benefit of the guide's experience to continue in the guide's footsteps.

Now, I've played a lot, I've done a lot, I've explored a lot of rules and I've challenged myself to improve upon the game since the beginning - but I don't know everything because I haven't seen everywhere.  To write the book, I headed off into country that was unfamiliar to me, to make myself better so that the book would be better.  I feel I've done an excellent job, but only because I spent this time walking over ground that I know the reader has never seen.

In guiding the reader over that ground, I'm only doing what I've done as a DM since the beginning.  I've taken players, brought them into the fold, set out the principles of the game and then set out to show them what there is to see.

The Advanced Guide was different.  Instead of teaching players how to play in my world, it had to be about how to teach DMs to run players in theirs.  It had to be about how to teach a DM what a world is for and why it needs to be.  It had to be about giving the DM tools.  It wasn't enough to say, "Oh, hey, you're a DM, have faith in yourself, do what you have to."  The ground I was showing is real.  It has firm, fixed, practical elements that can be dug up, processed and applied by anyone, not just those who happen to show a flair.

I don't believe that I know the 'right way' to DM; I'm still learning myself.  Saturday I'm going to take some of that learning and see if I can't better my game.  I am saying, however, that there are certain policies that a DM can pursue that will yield certain results, both good and bad.  If the DM does this, the results will be this, and for these reasons. If the DM does that, the results will differ and for these reasons.

Only through understanding the reasons, and accepting that what goes on at the table isn't just random bullshit - but that it is the absolute result of how the DM has determined to run the world can improvement be possible.  We make our own ruination; we drive the players to their tactics; we tolerate them when they behave inappropriately and we encourage their inappropriate behaviour when we act out ourselves.

No, there is no 'right way.'  But there is most certainly a 'wrong way.'  Unquestionably.

I know a lot of readers don't wish to buy the book, for any number of reasons.  I know that it's a fair sum, I know that it's an online book and that there's no way to know for sure what's being purchased.  I have only what I've written on the blog as a guideline for what I've tried to write in the book and the seriousness with which I've approached the material.

You're here, so you plainly have interest in the blog.  This is a long post, so if you're still with me, you plainly have interest in what I'm saying.  If you can't bring yourself to buy the book, or you haven't the means, then all I ask is that you consider those who do anxiously hope for guidance, and will pay any price to get it.  If you come here everyday to read the blog, then I ask you to just think of me now and then, along with the work I've tried to put here.  If you can't buy this book this time around, then perhaps we can agree on something next time I publish.

Whoops.  I've got to start getting ready for Saturday.

Tuesday, July 22, 2014

Fighting More Often

I've had a few days break since this, but let's continue.

As I was saying, there's this constant need to add more and more damage to whatever the leveled characters are doing.  I felt at this point it might be a good idea to know upon what we're improving - since I've been using the same damage-dealing standard for characters for nearly 35 years, and I have no problem with it.

First, however, THAC0.  I realize that many don't like it, that it's a mechanical name that takes away from the fantasy substance of the game, etcetera, which they claim breaks immersion.  What I know is that it enables me to calculate hits and misses very quickly for dozens of combatants, meaning that my game moves faster, there's less opportunity to be bored, the players get answers back immediately and they even gain a better conception of what they can manage to hit - so all around, THAC0 is a practical mechanism for me. If the acronym, however, is all that it takes to break immersion from your game, well . . . that's all I need to say.

I use my own THAC0 table, based primarily on the original tables in the DMG, except that I've smoothed out the improvements so that instead of the cleric's attack jumping two points in three levels, it jumps incrementally over that time.  Also, I've gotten rid of the monster tables for half a hit die, 1-1 hit die, 1+ hit die and so on, which we should all admit was pretty stupid thinking from the start.  I must presume the creators thought that splitting those low numbers fine would somehow improve the game?

Here's the THAC0 table I've constructed:

Simple, nyet?

Given this table, let's ask ourselves what damage could we expect a fighter to do in the space of three rounds, on average, against armor class 6, using a spear.  The answers are in this table below:

This is quite simple.  A 15 strength (or less) offers no damage bonus to the weapon, a 16 strength offers a +1 bonus to damage but none to hit, a 17 strength is +1 to hit and +1 damage, so more average hits than a 16 strength.  18 is +1+2, 18/01 is +1+3 and 18/51 is +2/+3.  I recognize this is old AD&D percentile strength rules, but try to adjust.  For the table above, I have made the assumption that no critical hits occur - everyone does those differently and I'm not in the mood to do the math to include my numbers.

The three rounds need not be consecutive for the table above to apply, nor does it matter if the fighter was hit or not between attacks.  The average of the weapon was multiplied against the chance of hitting, then that number was multiplied by 3 in order to get the above result.  The purpose for viewing this as three rounds rather than one is to emphasize the clubbing power the fighter would have in the space of a short combat.

Note that our fighter has been limited by a few things.  First, it assumes he never upgrades to a long sword or morning star, both of which have higher average damages.  It also assumes the fighter never gets a magical weapon of any kind.  However, to see what a 15 strength fighter does with a long sword rather than a short sword, one need only compare the next line of figures over - so that a long sword at 1st level causes - on average - 1.05 more damage in three rounds.  Taking a 16 strength over a 15 means that - assuming 10 rounds of combat per session and two sessions per month, your fighter (mysteriously remaining 1st level) will cause an average additional 84 damage (exactly, as it happens) over 240 rounds.  A number that will expand as you go up levels.  Something to think about.

The terrific jump at 7th level is due, as some will remember, to the fighter now receiving 3 attacks every 2 rounds; the similar jump at 13th level is due to the fighter now gaining 2 attacks per round.

Of course, some readers will think the combat numbers above are paltry.  A 13th level, however, would probably have a +2 or +3 sword in my campaign, which gives increased chances of hitting and damage, so the numbers get up there.  And I think killing a couple of ogres in three rounds on average is fair.  The fighter has support from henchmen in my campaign and on the whole I think the combat effectiveness rises quickly enough.

The first problem I see is NOT that the fighter doesn't do enough damage - but that the fighter's attacks don't increase more incrementally, as the THAC0 does on my adjusted table.  That shift is too stark and the fighter shouldn't have to wait that long for an improvement.  The monk gets 5 attacks every 4 rounds at 4th level; I see no reason why the fighter shouldn't enjoy some incremental improvement like that.  I've run many monks and keeping track of the extra combat is not that difficult - but then, there are way more fighters at the table than monks, so perhaps some sort of physical system would need to be put in place.

I would suggest, perhaps, the following smoothing out attack improvement, as shown on the right.  5/4 would be five attacks in four rounds.  This would mean attacking once for three rounds, then twice in the fourth round.

The proposed results would slow down the fighter at 7th level, but the players may be willing to take that slow down if they get more attacks at an earlier level - which they would.  Three earlier levels in fact, as early as the monk gets it.  The monk improves much faster, however, getting 3/2 attacks by 6th level - so the monk's superiority is not lost in this instance.

Except for possible clerical problems, I feel this system would provide some benefit to the fighter in the face of the extra abilities I am adding to other classes with recent sage tables (but then, I've been convinced to include such tables for the fighter too, but that's another post).

How would this adjust the above table of average damage?  Well, it wouldn't have been fair not to include an updated table, so here it is:

The jump at 13th level is still extravagant, but the overall improvement level by level is better, I think.  I should implement this, see how hard it is to keep track of the total number of attacks and who does what when (remember that my stunning system will stagger the second attack for everyone involved) and then take steps to manage that additional difficulty.

It isn't enough to say, "it's too difficult to manage" - what we need to do is design a system by which everyone can easily and comfortably keep track of those extra attacks, including the DM.  Won't it be fun when the party is attacked by a team of 4th level fighters?

Monday, July 21, 2014

The Business of Books

Today, I received a pleasant comment today from Wandrille Duchemin regarding my How to Play a Character & Other Essays book (see the original comment here):

"I bought the book, read it and loved it.  Although this did not profited you especially, I think it was worth the cost to make it come to Europe.  I would love to post a review on Lulu but I can't seem to find how... Anyway, can't wait to get the new book."

Thank you Wandrille, I'm glad you enjoyed it.

Things are going along.  We've settled on a date for the official 'Book Launch' in Calgary, for the afternoon of August 6th, at The Sentry Box, described as Canada's Largest Adventure Gaming and Science Fiction and Fantasy Book Store.  I have a handshake deal with the owner to provide books for the shelf there also, so for those who are local you'll be able to buy the Advanced Guide directly.

For those who don't know, there is a Preview for the Advanced Guide under the box art on the above link, that runs to page 23 of the book.  It gives the whole Introduction and my explanation for why I say 'DM' and not 'GM.'  For what it's worth.

I like the deal I made with The Sentry Box and I'd be prepared to make the deal with other stores - if I knew of other stores.  I've asked around and several people think it's a good idea to make this offer:

Give me the name and contact info for your local gaming store, and the name of the owner (or whomever I would contact), and I'll try to get them interested in the book.  IF your lead pays off, I'll give you a 10% kick-back on the price I sell the book for (or on the percentage of a consignment deal, if that's what happens).  I'd be prepared to take a slight loss, giving it to you, if I can get the book out there.

Of course, if you'd like to go the extra step and sell the owner on me and the book, that helps put that money into your pocket.  It's up to you.


Oh, and it turns out a buyer got his paper book today!

Friday, July 18, 2014

More Druidic Knowledge

Since finding some time after finishing the hard core writing of the book, I've been able to get back to the sage abilities I had to abandon in April.

I've put up some of these just lately:  amphibians & reptiles, astronomy, bugs & spiders and bushes & shrubs.  The last is absolutely amazing.

The druid is coming together.

Keep an eye on the Work blog.  I'm going to stop updating it here and just expect people to occasionally look there to see what's new.


Adding flowers & sprigs.


Keeping with this theory that role-players - and especially DMs - find combat boring, I have long noticed a propensity to add more and more damage to the combat formula.  Such and such many more damage done per level, more strength bonuses (again per level or just generally), greater damage for weapons due to compounding proficiency skills and so on.

Presumably this is done to hurry the battle up and to ensure that the players' characters are more likely to survive.  If Joe the 9th level fighter gets a +1 bonus to damage for every level, then with a spear Joe is now doing an average of 12.5 damage every time he hits.  Great, Joe.  Go get 'em.

This just doesn't work either in a game or in reference to actual human abilities. Having lived a while, I can say that age and experience convey neither greater strength nor greater speed and dexterity.  Age does for a time - say, between the ages of zero and about 28 (depending on the activity) - but after that the decline is quite noticeable.  Even Conan was described by R.E. Howard as diminishing as he got into his fifties. Experience just doesn't make you stronger.  It doesn't give your arm the power to do more damage.  It does make you less willing to jump into a fight, knowing you'll probably die there, but that's not really the same thing, is it?

Besides - and this is the part that really confounds me - doesn't the game already have a system that enables you to upgrade?  Hm?

Fact is, for many people, it just doesn't upgrade the character fast enough.  It is the sort of thing that psychologists have been studying since the 1960s, with a quaint, benign little experiment that turned out to have profound revelations:

The 'Marshmallow Test' is a study in deferred gratification.  As an experiment, it has been repeated tens of thousands of times.  The principles of the test are simple - a very young child, 4 years of age or so, is given a marshmallow on a plate.  The child is told, "If you do not eat the marshmallow for ten minutes, you will be given a second marshmallow."  But if the child eats the first marshmallow, that's it.  That's all they get.  Then the child is left alone.

The reader can see in the video how this affects children.  Marshmallows are like crack to children, and for many of them it is unbelievably hard to wait.  They want that gratification right now, and many of them cannot wait the necessary time to get it.

The results of this test shattered the psychology community, in that it had implications for long-term human behaviour.  Some of the same children who were given the test in the 1960s were placed into a study that has now lasted more than 40 years.  You can read about the study on this TIME webpage.  Participants in the study have been divided into 'low delayers' and 'high delayers' - the latter being those who could wait for the second marshmallow.  From the linked page:

"You might say that high delayers have better mental brakes, while low delayers are driven by a stronger engine. “The low delayers don’t tend to activate the prefrontal cortex as much as the high delayers do. The high delayers are very effective at being able to regulate their behavior and not activating this deep system,” Casey says. “There’s not as much of a push-and-pull for the high delayers.”

Now, gaining levels is definitely a delayed gratification.  It takes time, patience and a strong willingness to accept that, once you have gained a level, that is all you get!  Those who are pushing for rule changes that give more power to players sooner are simply low delayers who cannot bring themselves to wait.  They want that power to sweep their way through enemies TODAY, not tomorrow.  The level gain system imposed in the original game or in AD&D doesn't move fast enough for them - and as a result, for 40 years they have smashed and grabbed their way through game design until we have this mess of a promotion system that exists in most new games.

In fact, I think if the reader gives it some thought, they'll see there are dozens of circumstances where things have clearly been changed or adjusted in order to satisfy the low delayers' requirements.  There are fundamental principles that have been compromised not just so they can do more damage or hit more often, because it takes too long between rounds to get enough gratification, but also in the overall length of combat, the amount of healing these players can get, how much treasure they expect to find, the magic they expect to be able to BUY rather than FIND and so on.  For at least half the players out there, nothing in the original game moves quickly enough.

Speaking for myself, I began writing my book on November 1st, 2013, pretty much by surprise (I didn't know that on that day I was going to get the jump start that would get me going).  8 and a half months is a pretty short time to write a book, especially one of this magnitude.  If it hadn't been for the decision to go to Toronto and the timeline that forced me onto, I would probably still be in Chapter 10 or 11 right now.  I was pushed to meet a very uncomfortable deadline, one that wound up with me shoving out every other activity from my life for a time.

Through all that work, I had to delay my gratification - in the hopes that I would make it a good book, that it would cover the subjects necessary, that the language would be as good as I could make it and so on.  I did not do the marshmallow test, but delaying gratification has been my life's work.

Yet this blog is full of examples of my rushing to dive in before I'm halfway through a thought.  I'm always putting things up that are half-made or half-planned.  I'm convinced that the feedback on things I haven't thought through is tremendously useful.  I have repeatedly made changes due to the 'brainstorming process' that is this blog (I talk about brainstorming at length in the book).

Putting things into actual use demands delay, however.  It demands forethought.  The book needed at least as long as I gave it.  I was prepared at any time to ditch Toronto if I felt the time-line would spoil the book's quality.  It didn't.  I worked harder, was all, keeping that future gratification firmly in mind.

Being a certain level means learning to live with the limitations of that level happily, not rushing about to enhance the level so that it operates like four levels above it.  Quite a lot of 'designers' are never going to understand that - because, frankly, they don't understand anything about the function of the game they're blissfully fucking up.  And the worst of it, the very WORST of it, is that DM that claims upon making a change, "My players like it."

Yeah, dummy.  Your players like marshmallows.  Duh.

Thursday, July 17, 2014

The 1 Hit Point Jump

I cannot express how good it feels to write new theoretical content.  Advice is fine and all, but I wrote tens of thousands of words of that.  A change = a rest and all that.

So, continuing on with the stun rules described in this post.  The purpose of this post would be to determine what peculiar effects this has on the subject of creatures in the world and their behaviour.

Let's group the number of hit points creatures have according to our ability to stun them.  Thus, creatures with 1-4 hit points would be a group, since they can all be stunned (or killed) by 1 damage.  Creatures with 5 to 8 hit points would be stunned by 2 damage, creatures with 9 to 12 hit points would be stunned by 3 damage and so on.

From the outset, I'd like to point out that by giving player characters more hit points to start, as described here, vastly increases their chances of surviving the first few rounds of combat, as will become evident with the rest of this post.

Let's take a set of creatures that have already been struck with a weapon.  In this case, we will assume that all the creatures described below were hit by the first attack; the chances of that first chance succeeding doesn't matter.  We'll assume these are creatures that have already been hit with a spear (1d6 damage); all we want is to determine the effects of that spear.

Starting with the first group, those having 1-4 hit points.  We already know that all those with 1 hit point are dead, and that the attacks will kill 5/6ths of those with 2hp, 2/3rds of those with 3hp and half those with 4hp. More importantly, for our purposes, no matter how much the spear will do in damage, all of the first group will be stunned.  It only takes 1hp of damage to stun up to 4hp, so those who aren't killed won't be able to attack the next round.

This means that - using the same 35% chance of hitting that I have used all this time - a good chunk of the creatures that survived the first attack are still going to be killed before they get another swing.  Assuming we start with 100 creatures of each hit point, the results will be as follows:

'Success of 2nd Attack' refers to the creatures being 'double-tapped.'  They've been hit, and now they can be attacked again, at once, without a chance to defend themselves.

In an effort to show my work, I'll explain the above table.  The initial hit points on the left most column are those total hit points left of survivors after they've been hit once; of 100 with 1hp, there are none; 16.7 survive of the original 2 hp creatures and these all are left with 1 hp.  33.3 survive of the original 3 hit point creatures and these are evenly divided between 1 and 2 hp after being hit.  50 survive of the original 4 hit point creatures and these are evenly left with 1, 2 and 3 hit points.  The numbers are then compiled, all those with 1 hp, all those with 2 hp and all those with 3 hp.

The number hit and missed reflect the 35% chance of hitting the creature.  Those with 1 hp that are hit all die, leaving only those that weren't hit.  5/6ths of those with 2 hp die, leaving the remainder with 1 hp and those that weren't hit with 2 hp.  Finally, 2/3rds of those with 3 hp die, splitting those who were hit between 1 and 2 hp, and finally those with 3 hp that weren't hit.

The total number left of those who were hit by the second attack is a total of 3.9 out of 35.  That's a devastating kill rate.  That 3.9 that survive are of course stunned again.  But of course this only applies to those creatures that were hit.  Unhit creatures can now attack back and do some damage.

The point here is to indicate the comparative effect of the double tap.  Naturally, we've only covered weak, low hp creatures, so we don't expect them to survive anyway.  Let's move on to something stronger.

Because stunning only occurs if we do one quarter of the hit points needed, we must recognize that while 1 damage will stun anything with less than 4 hp, it won't stun something with 5 hit points.

Let's look at the table above again, only this time let's add 5 hit point creatures and let's make each line of the table specific to creatures with that number of hit points to start..  Remember that the 'Success of 2nd Attack' column can only apply to 83.3 of the 5 hp creatures - since the remainder aren't stunned and therefore can't be double-tapped:

The jump is meaningful, but not excessive.  It does mean that 16.7 1HD/5hp creatures can swing back immediately whereas their 4hp cousins cannot.  This means that, using the stun system, a 5 hp creature is considerably more dangerous simply because there's at least a chance that, if it gets hit, it will still be able to swing back.

That is significant.  It means that a single kobald leader with 5 hp has more of an advantage over his peers than merely 1 hp.  Given the same chance to hit, the same AC and so on, he is still markedly more competitive than his underlings.

None of that is noticed by a party with 12 through 17 hp, but look at the numbers above and make a reasonable guess at the difference between 8 hp and 9 hp.  The 8 hp orc, top of his untrained breed, is definitely improved upon by the 1+1 HD/9 hp elf, nyet?  The 2 hit dice creature with an average of 9 hp has more than hit points where it comes to the 1 HD creature - simply because that creature is going to be harder to stun.

Most readers, I know, don't employ stun rules, but you should really consider how a simple rule addition can alter the dynamic of combat in more ways than might be initially understood.